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Originally a programming engineer in human computer interactions and artificial intelligence, he places the program, a radically new material in art history due to its essence of active matter, at the core of most of his artworks. Everything breathes, smells, rot, transforms … The grass, the trees, the water, the clouds, everything is contaminated with a barely visible, but omnipresent technology. Alone or through collaborations, he has has confronted this approach with more established artistic fields like music, dance, architecture, literature or cinema, of which he revisits the codes. In his work the special effect is the message. As an audio and visual performance, Tempest associates the analog instruments of Franck Vigroux with the visual algorithms of Antoine Schmitt, to create a real system-universes of pure chaos, that can be seen in the movements of millions of particles and can be heard through the roaring of air. Media presence is symbolized by layers of sticky pixel-textures, noise and interactivity. Antoine Schmitt Antoine Schmitt is an installation artist who creates artworks in the form of objects, installations or situations:

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He also works regularly as a video designer for theatre, dance and opera and makes his own performances. Human flesh has exploded and has morphed with machines to give birth to a perverted new nature. In his work the special effect is the message. Media presence is symbolized by layers of sticky pixel-textures, noise and interactivity. As theoretician, speaker and editor of the gratin. His work has received several awards in international festivals: Originally a programming engineer in human computer interactions and artificial intelligence, he places the program, a radically new material in art history due to its essence of active matter, at the core of most of his artworks. Just after the big bang, the universe was completely shapeless, filled with matter and energy, but irregularities were born, which became atoms, suns and planets… Within the primitive soup on Earth, indistinct molecules started to group as bacterias, to become life, animals, humans… Tempest recreates the sound and fury of these original maelstroms within which it searches for the origin of form.

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Since he has repeatedly performed in the United States, in Europe and in Japan either in festivals or in clubs. In his work the special effect is the message. Alone or through collaborations, he has has confronted this approach with more established artistic fields like music, dance, architecture, literature or cinema, of which he revisits the codes. Human flesh has exploded and has morphed with machines to give birth to a perverted new nature. His work has received several awards in international festivals: By manipulating the internal forces of this chaos, the performers give birth to audio and visual shapes that develop in time, with more or less stability, more or less evidence. As theoretician, speaker and editor of the gratin.

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Antoine Schmitt is represented by Galerie Charlot. By manipulating the internal forces of this chaos, the performers give birth to audio and visual shapes that develop in time, with more or less stability, more or less evidence. Man has disappeared, absorbed by technology, which has become anthropomorphic.

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